Supported by:
Conductor: Nicola Luisotti Stage director: Andreas Homoki Titular Chorus and Orchestra of the Teatro Real
With the enormous success of Rossini’s Mosè in Egitto, the imposing stories of the Old Testament that had been a literary source for innumerable Baroque oratorios, found a new and modest position in Romantic opera which would expand over the course of the century with significant contributions by Donizetti, Halévy, Gounod, Serov, Goldmark or Saint-Saëns, among others. Few, however, made more of this than did Verdi and his Nabucco, the first great success after a dubious start, and one which distinguished him as the symbol of the Risorgimento with the famous Hebrew Slaves chorus «Va, pensiero». Compelling as an uncut diamond, Nabucco also had three top-notch protagonists – Nabucco, Abigaille and Zaccaria–forerunners of some of the grand Verdian roles which were still to come. This Nabucco comes in the production of Andreas Homoki with the sumptuous and period piece costumes of Susana Mendoza and the minimalist stage design of Wolfgang Gussmann. The action takes place in Italy during the time of Verdi and places the focus, as of the overture, on the family relationships which constitute the real nucleus of this passionate drama.
Dramma lirico in four acts
Music by Giuseppe Verdi (1813-1901)
Libretto by Temistocle Solera, based in Nabuchodonosor (1836) by Auguste Anicet-Bourgeois y Francis Cornu, and in the ballet Nabuccodonosor (1838) by Antonio Cortesi
Premiered in the Teatro Alla Scala de Milán, 9 march 1842
Premiered in the Teatro Real 27 January 1853
Production of the Opernhaus of Zürich, in co-production with the Teatro Real
ATISTIC TEAM
Musical conductor I Nicola Luisotti - 5, 6, 8, 9, 11, 12, 14, 15, 18, 19, 21, 22 jul
I Sergio Alapont - 13, 16, 20 jul
Stage director I Andreas Homoki
Stage designerI Wolfgang Gussmann
Costume designer I Wolfgang Gussmann
I Susana Mendoza
Light designer I Franck Evin
Dramatist I Fabio Dietsche
Choir director I Andrés Máspero
Titular Choir and Orchestra of the Teatro Real
(Coro Intermezzo / Orquesta Sinfónica de Madrid)
CAST
Nabucco I Luca Salsi - 5, 14, 18, 21 jul
| George Gagnidze - 6, 9, 12, 15, 19 jul
| Gabriele Viviani - 8, 11, 16, 22 jul
I Luis Cansino - 13, 20 jul
Ismaele I Michael Fabiano - 5, 6, 8, 9, 11, 14, 15, 18, 19, 21 jul
I Eduardo Aladrén - 12, 13, 16, 20, 22 jul
Zaccaria I Dmitry Belosselsky - 5, 8, 21 jul
I Roberto Tagliavini - 6, 16, 19, 22 jul
I Alexander Vinogradov - 9, 11, 14, 15, 18, 20 jul
| Simon Lim - 12, 13 jul
Abigaille I Anna Pirozzi - 5, 8, 11, 14, 18, 21 jul
I Saioa Hernández - 6, 9, 12, 15, 19, 22 jul
I Oksana Dyka - 13 jul
| Ewa Płonka - 16, 20 jul
Fenena I Silvia Tro Santafé - 5, 8, 11, 14, 18, 21 jul
I Elena Maximova - 6, 9, 12, 15, 19, 22 jul
I Aya Wakizono - 13, 16, 20 jul
El Gran Sacerdote I Simon Lim - 5, 6, 9, 11, 14, 15, 18, 19, 21 jul
I Felipe Bou - 8, 12, 13, 16, 20, 22 jul
Abdallo I Fabián Lara
Anna I Maribel Ortega
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Nabucco «resurgido» - Conferen
Ponente: María Redondo (Profesora de Historia del Traje y Sociología de la moda en el grado en Diseño de Moda en la Universidad Nebrija)
Modalidad online, 14 de julio de 2022 a las 18:30
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