Ponemos el foco en 'El ángel de fuego'. Descubre todos los detalles de la producción en un encuentro con algunos de sus protagonistas.
Opera
Serguéi Prokófiev
The fiery angel
22 Mar, 22 - 05 Apr, 22
Conductor |Gustavo Gimeno Stage Director | Calixto Bieito Titular Chorus and Orchestra of the Teatro Real
The Weimar Republic, oasis of liberty and cradle of extremism, welcomed - with a varying degree of scandal - such radical operas as the blasphemous Sancta Susanna of Paul Hindemith, the atonal and anti- militarist Wozzeck of Alban Berg, or the multi-racial and jazz like Jonny spielt auf of Ernst Krenek. In spite of this background, not even the mediation of the prestigious conductor Bruno Walter was sufficient to bring The Fiery Angel by Sergei Prokofiev to the stage of the Deutsche Oper of Berlin. The constant setbacks with respect to the work led the composer to desist with its debut and re-use the principal musical material in the third of his symphonies, first heard in Paris in 1929. Furthermore, the rise of Nazism in Germany and the hardening of cultural politics in the Soviet Union also delayed the opening of The Fiery Angel. In the end, it opened posthumously in 1954 at the Teatro La Fenice of Venice. The production by Calixto Bieito extracts all the potential from this work in a most convincing and spine-chilling way. The action takes place in a closed society of the 1950s, taking this story of witchcraft, sex and religion to the realism of imitation leather sofas, crochet cardigans, medical abuse and child molestation
Opera in five acts
Music and libretto by Sergéi Prokófiev (1891-1953)
Libretto based on the homonymous novel (1907), by Valery Bryusov
Premiered in the Teatro La Fenice of Venecia, November 25,1954
Premiered in the Teatro Real
New production in the Teatro Real, in collaboration with the Opernhaus of Zúrich
ARTISTIC TEAM
Musical condutor I Gustavo Gimeno
Stage director I Calixto Bieito
Stage designer I Rebecca Ringst
Costume designer I Ingo Krügler
Light designer I Franck Evin
Video designer I Sarah Derendinger
Dramatist I Beate Breidenbach
Choir director I Andrés Máspero
Titular Orchesta and Choir of the Teatro Real
(Coro Intermezzo / Orquesta Sinfónica de Madrid)
CAST
Renata I Ausrine Stundyte - 22, 25, 28, 31 mar; 3, 5 apr
I Elena Popovskaya - 23, 26 mar; 1, 4 apr
Ruprecht I Leigh Melrose - 22, 25, 28, 31 mar; 3, 5 apr
I Dimitris Tiliakos - 23, 26 mar; 1, 4 apr
Agrippa von Nettesheim / Mefistófeles I Dmitry Golovnin - 22, 25, 28, 31 mar; 3, 5 apr
I Vsevolod Grivnov - 23, 26 mar; 1, 4 apr
La Madre Superiora / Vidente I Agnieszka Rehlis - 22, 25, 28, 31 mar; 3, 5 apr
I Olesya Petrova - 23, 26 mar; 1, 4 apr
El Inquisidor I Mika Kares - 22, 25, 28, 31 mar; 3, 5 apr
I Pavel Daniluk - 23, 26 mar; 1, 4 apr
Posadera I Nino Surguladze
Fausto I Dmitry Ulyanov
Jackob Glock / Doctor I Josep Fadò
Mathias / Posadero I Gerardo Bullón
El Conde Heinrich / El Padre I Ernst Alisch
Waiter I David Lagares
Novice I | Estibaliz Martyn
Novice II | Anna Gomà
Artistic information
Creative team
Cast
Releases
Tickets on sale
20 January
2022Performances
- Date/hour
- Space
- Cast
- Subscription ticket
22 March 2022
19:30
Main Auditorium
23 March 2022
19:30
Main Auditorium
25 March 2022
19:30
Main Auditorium
26 March 2022
19:30
Main Auditorium
28 March 2022
19:30
Main Auditorium
31 March 2022
19:30
Main Auditorium
01 April 2022
19:30
Main Auditorium
03 April 2022
18:00
Main Auditorium
04 April 2022
19:30
Main Auditorium
05 April 2022
19:30
Main Auditorium
Cultural activities
Enfoques
17
March
2022
20:15
Cine para iniciados: esoterismo audiovisual
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Sesión doble: 18.30 horas y 20.30 horas
Lugar: Sala Berlanga (C/Andrés Mellado, 53. Madrid)
Entradas: 3,50 euros*
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*Entrada gratuita para la sesión del 25 de marzo (20.30 horas)
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